2. 外语
  3. 　　京韵大鼓（北京大鼓）是包含着北京方言的大鼓表演。这种大众娱乐的风格主要是说唱，用北京方言讲故事并且用大鼓伴奏。这种艺术形式的前身是“怯大鼓”，它由民间艺术家于德魁加上北京方言和声调，变成今天为人所熟知的京韵大鼓。20世纪20年代以后，京韵大鼓艺术逐渐成

　　京韵大鼓（北京大鼓）是包含着北京方言的大鼓表演。这种大众娱乐的风格主要是说唱，用北京方言讲故事并且用大鼓伴奏。这种艺术形式的前身是“怯大鼓”，它由民间艺术家于德魁加上北京方言和声调，变成今天为人所熟知的京韵大鼓。20世纪20年代以后，京韵大鼓艺术逐渐成

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问题 　　京韵大鼓（北京大鼓）是包含着北京方言的大鼓表演。这种大众娱乐的风格主要是说唱，用北京方言讲故事并且用大鼓伴奏。这种艺术形式的前身是“怯大鼓”，它由民间艺术家于德魁加上北京方言和声调，变成今天为人所熟知的京韵大鼓。20世纪20年代以后，京韵大鼓艺术逐渐成熟，并且成为最重要的艺术形式之一。早年，京韵大鼓三大流派的代表人物分别是刘宝全、白云鹏和张小轩。
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答案　　Jing Yun Da Gu (Beijing Drum) is a performance involving Beijing dialect and big drums. As a genre of popular entertainment consisting mainly of talking and singing, it tells stories in Beijing dialect with drum accompaniment. The predecessor of this art form was Qie Da Gu. It was later reformed by the folk artist Yu Dekui who added Beijing dialect and tunes to it and made it into what is known today as Jing Yun Da Gu. After the 1920s, Jing Yun Da Gu gradually became mature, which made it one of the most important art forms. In the early years, Jing Yun Da Gu mainly featured three major schools represented respectively by Liu Baoquan, Bai Yunpeng and Zhang Xiaoxuan.
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