1 If Johnny can’t write, one of the reasons may be conditioning based on speed rather than respect for the creative process.

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问题    1     If Johnny can’t write, one of the reasons may be conditioning based on speed rather than respect for the creative process. Speed is neither a valid test of nor a proper preparation for competence in writing. It makes for murkiness, glibness, disorganization. It takes the beauty out of the language. It rules out respect for the reflective thought that should precede expression. It runs counter to the word-by-word and line-by-line reworking that enables a piece to be finely knit.
   2     This is not to minimize the value of genuine facility. With years of practice, a man may be able to put down words swiftly and expertly. But it is the same kind of swiftness that enables a cellist, after having invested years of efforts, to negotiate an intricate passage from Haydn. Speed writing is for stenographers and court reporters, not for anyone who wants to use language with precision and distinction.
   3    Thomas Mann was not ashamed to admit that he would often take a full day to write 500 words, and another day to edit them, out of respect for the most difficult art in the world. Flaubert would ponder a paragraph for hours. Did it say what he wanted it to say—not approximately but exactly? Did the words turn into one another with proper rhythm and grace? Were they artistically and securely fitted together? These questions are relevant not only for the established novelist but for anyone who attaches value to words as a medium of expression and communication.
   4     E.B. White, whose respect for the environment of good writing is exceeded by no word-artist of our time, would rather have his fingers cut off than to be guilty of handling words lightly. No sculptor chipping away at a granite block in order to produce a delicate curve or feature has labored more painstakingly than White in fashioning a short paragraph. Obviously, we can’t expect our schools to make every Johnny into a White or Flaubert or, a Mann, but it is not unreasonable to expect more of them to provide the conditions that promote clear, careful, competent expression. Certainly the cumulative effort of the school experience should not have to be undone in later years.
In describing White as a "word-artist", the author means that White ______.

选项 A、was also a cartoonist
B、was colorful in his descriptions
C、had artistic background
D、was a great writer

答案D

解析 本题为细节理解题。据第4段第1句、2句可确定。
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