首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
The Ozarks are America’s least appreciated mountain range. Lacking the majesty of the Rockies, the breadth of the Appalachians o
The Ozarks are America’s least appreciated mountain range. Lacking the majesty of the Rockies, the breadth of the Appalachians o
admin
2012-12-01
37
问题
The Ozarks are America’s least appreciated mountain range. Lacking the majesty of the Rockies, the breadth of the Appalachians or the mournful grandeur of the Cascades, there they sit, somewhere in the middle of the country, south of the Midwest, north of the south, east of the mountainous west. They have long drawn fishermen and hikers; until now, however, art fanciers have had little reason to visit.
That changes with the opening of the Crystal Bridges Museum of American Art. With 120 acres (48.6 hectares) of forests and gardens and long hiking trails connecting it with downtown Bentonville, Crystal Bridges is not just in but also of the Ozarks. Its patron, Alice Walton, is the scion of the Ozarks’ first family: her father, Sam Walton, opened a discount store called Wal-Mart in nearby Rogers, Arkansas, in 1962. Today Walmart is America’s largest private employer. The Walton Family Foundation gave the museum a $ 1.2 billion endowment and Ms Walton and the museum have been on something of a buying spree for several years.
The museum is not simply Ms Walton’s own private collection. Like Nancy Aldrich Rockefeller she has been the driving force behind its creation. Ms Walton has long spoken of wanting to bring art to a region that has little of it, and in that ambition she has without question succeeded. Though admission is free thanks to a $ 20m bequest, the museum sells memberships roughly 4, 600 of the 5, 000 memberships have been bought by Arkansans.
Crystal Bridges takes its name from Crystal Spring, which flows on the grounds, and from the multiple bridges around which the museum is designed. The architect is Moshe Safdie, best known for his half-brutalist, half-playful Habitat 67 complex in Montreal. Crystal Bridges comprises several discrete but linked structures that meander around and above two spring-fed reflecting ponds, a design that Mr. Safdie says is meant to echo the surrounding topography. Much of the museum’s roofing is copper, which currently has the umbral hue of the foliage around it—the leaves dying in autumn, the copper brand new—but which will of course gradually darken, turning a deep rust red and then dark brown before taking on the familiar light green patina in years to come.
And just as the buildings nestle into and hug their surroundings, with few right angles, so the roofs arch and swoop and fall, mimicking the region’s mountains. Trees surround the museum; as they grow they will enshroud it with leaves in full summer and expose it in winter. Crystal Bridges does not look like a traditional Japanese structure, but something of the Japanese aesthetic—simplicity and cleanness of design, reverence for nature, the impulse to build in harmony with rather than atop the natural world -pervades it.
The museum’s collection manages to be both thorough and surprising. Those who wish to see works by major American artists such as Winslow Homer, Thomas Hart Benton and Robert Rauschenberg will not be disappointed. But Don Bacigalupi, the museum director, says that in building a collection at this late date he looked at "identifying new scholarship and new research that led us toward artists and moments less well discovered". That has inspired a particularly strong focus on women in American art—as patrons, subjects and creators. Janet Sobel, who made drip paintings several years before Jackson Pollock, gets her due. Among the museum’s first-rate collection of portraits, nothing exceeds Dennis Miller Bunker’s sombre, haunting image of Anne Page; and in its contemporary galleries Alison Elizabeth Taylor’s marquetry "Room" is, like the museum itself, a chamber of wonders in an unexpected place.
We can infer from the passage that
选项
A、women artists usually receive less attention than men.
B、the works of top artists worldwide will be displayed.
C、young artists will have a chance to show their works.
D、Dennis Miller Bunker is the most well-known American artist.
答案
A
解析
推断题。按照试题顺序定位至末段。第三句指出“But Don Bacigalupi,the museum director,says that in building a collection at this late date he looked at ‘identifying new scholarship and now research that led us toward artists and moments less well discovered’.”,之后紧接着指出“That has inspired a particularly strong focus on women in American art”,这说明女艺术家的作品是less well discovered,故[A]为答案。
转载请注明原文地址:https://jikaoti.com/ti/1BUYFFFM
0
专业英语八级
相关试题推荐
WhichofthefollowingisNOTabranchofMacrolinguistics?
Peopledonothavesecrettrolleysatthesupermarket,sohowcanitbeaviolationoftheirprivacyifagrocersellstheirpur
Peopleusuallycommunicatebyspokenandwrittenlanguage,yettheycanalsocommunicatewithoutwordsandthiskindofcommunic
"Ido."ToAmericansthosetwowordscarrygreatmeaning.Theycanevenchangeyourlife.Especiallyifyousaythematyourown
HowtoReadEffectivelyManystudentstendtoreadbookswithoutanypurpose.Theyoftenreadabookslowlyandingreatdetail
Thewaysofhistoryaresointricateandthemotivationsofhumanactionssocomplexthatitisalwayshazardoustoattempttor
我常常听人说,他想读一点书,苦于没有时间。我不太同意这种说法。不管他是多么忙,他总不至于忙得一点时间都抽不出来。一天当中如果抽出一小时来读书,一年就有365小时,十年就有3650小时,积少成多,无论什么研究都会有惊人的成绩。零碎的时间最可宝贵,但也最容易丢
Themostimportant______magazinesinBritainareTheEconomist,TheNewStatesmanandSpectator.
Thereisonepartofwomen’smagazinesthateverymanreads.Itisthesectionpopularlyknownasthe"agonycolumns",wherewo
随机试题
研磨外圆柱面时,研磨套往复运动轨迹要正确,形成的网纹交叉线应为45°。( )
乙型病毒性肝炎主要的传播途径是
A.软膏剂与乳膏剂B.硬胶囊剂C.凝胶剂D.眼膏剂E.栓剂药物与适宜基质均匀混合制成的具有一定形状供腔道给药的固体状外用制剂是
腰脊疼痛连及下肢酸麻者多为
下列行业中,多属于国家完全垄断的是( )。
我国近代教育史上持续时间最长、影响最大的学制是()。
关于我国赋税制度的演变发展,下列描述错误的是()
当获悉北京取得2008年奥运会主办权时,人们欣喜若狂。此时的情绪状态是()。
1999年美国国会通过的《麦克法登法案》(McFaddenAct)确立了美国商业银行与投资银行混业经营的格局。
ThemainimpressiongrowingoutoftwelveyearsonthefacultyofamedicalschoolisthattheNo.1healthproblemintheUS.t
最新回复
(
0
)