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Whenever you see an old film, even one made as little as ten years ago, you cannot help being struck by the appearance of the wo
Whenever you see an old film, even one made as little as ten years ago, you cannot help being struck by the appearance of the wo
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2013-01-18
31
问题
Whenever you see an old film, even one made as little as ten years ago, you cannot help being struck by the appearance of the women taking part. Their hairstyles and make-up look dated; their skirts look either too long or too short; their general appearance is, in fact, slightly ludicrous. The men taking part in the film, on the other hand, are clearly recognizable. There is nothing about their appearance to suggest that they belong to an entirely different age.
This illusion is created by changing fashions. Over the years, the great majority of men have successfully resisted all attempts to make them change their style of dress. The same cannot be said for women. Each year a few so-called top designers’ in Paris or London lay down the law and women the whole world over rush to obey. The doctrines of the designers are unpredictable and dictatorial. This year, they decide in their arbitrary fashion, skirts will be short and waists will be high; zips are in and buttons are out. Next year the law is reversed and far from taking exception, no one is even mildly surprised.
If women are mercilessly exploited year after year, they have only themselves to blame. Because they shudder at the thought of being seen in public in clothes that are out of fashion, they are annually blackmailed by the designers and the big stores, Clothes which have been worn only a few times have to be discarded because of the dictates of fashion. When you come to think of it, only a woman is capable of standing in front of a wardrobe packed full of clothes and announcing sadly that she has nothing to wear.
Changing fashions are nothing more than the deliberate creation of waste. Many women squander wast sums of money each year to replace clothes that have hardly been worn. Woman who cannot afford to discard clothing in this way waste hours of their time altering the dresses they have. Hem-lines are taken up or let down; waist-lines are taken in or let out; neck-lines are lowered or raised, and so on.
No one can claim that the fashion industry contributes anything really important to society. Fashion designers are rarely concerned with vital things like warmth, comfort and durability. They are only interested in outward appearance and they take advantage of the fact that women will put up with any amount of discomfort providing they look right. There can hardly be a man who hasn’t at some time in his life smiled at the sight of a woman shivering in a flimsy dress on a wintry day, or delicately picking her way through deep snow in dainty shoes.
When comparing men and women in the matter of fashion, the conclusions to be drawn are obvious. Do the constantly changing fashions of women’s clothes, one wonders, reflect basic qualities of fickleness and instability? Men are too sensible to let themselves be bullied by fashion designers. Do their unchanging styles of dress reflect basic qualities of stability and reliability? That is for you to decide.
It can be inferred from the passage that women should ______
选项
A、see through the very nature of fashion myths.
B、boycott the products of the fashion industry.
C、avoid following fashion doctrines too closely.
D、blame designers for their waste of money.
答案
C
解析
题干问:“从这篇文章我们可以推论出女性应该……”。在本文中作者建议的是我们不应盲目地跟随时装设计师的法规,因此选项C“不要盲目地紧跟着时装的法规”为正确选项。而选项A“看穿时装神话的本质”,这篇文章的重心没有放在本质上,文章大多数的篇幅讲的都是时装的一切都是以时装设计者的意愿作为整个行业的法规。选项B“抵制时装工业产品”和选项D“把钱的浪费归咎于设计者”都不能从文中得出这样的推论。
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